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Who are the original little rascals11/25/2022 ![]() ![]() New incarnations. In 1977 tv producer Norman Lear cast Gary Coleman in a pilot version of a revived version of the Little Rascals. (Along the way, some of the more politically incorrect elements were edited out over the years). In the mid 1950s the series began to be syndicated to television, where it was near ubiquitous in the after school time slot for the next three decades. Spanky, Alfalfa and Darla all dropped out 1940-1941 leaving the series to limp along without them until its conclusion in 1944. In 1939 they were joined by “Mickey” Gubitosi, better known to Baretta fans as Robert Blake the following year Billy “Froggy” Laughlin joined. ![]() The tone became sweeter and more polished, less “rough and tumble” and gritty. In 1938, Hal Roach dropped out of shorts production, handing the reins over to his distributor, MGM. In 1934 came Darla Hood, Eugene “Porky” Lee, Carl “Alfalfa” Switzer and his brother Harold, and Billie “Buckwheat” Thomas, initially represented as Stymie’s sister, though he was a boy, and would later switch to that gender role. In 1931, they were joined by three year old George “Spanky” Macfarland, whose adorable catchphrase “Okey doke” became a highlight of the films and eventually made him the star. Their teacher Miss Crabtree was played by June Marlowe. (Note: from this point, I’m only going to mention the more famous members of the gang, there were dozens more besides these over the years). Older kids were switched out new ones came in, including Jackie Cooper (soon to go on as a major star in features such as 1931’s The Champ and to enjoy a flourishing 60 year career after that), as well as Norman “Chubby” Chaney and Matthew “Stymie” Beard. The sound arrival saw those wonderful big band scores composed by Leroy Shield and Marvin Hatley, with the actual theme song written by Shield. The aspects of poverty and grittiness clicked especially in the 1930s images from these films are often what I think of when I am imagining those times. Talkies and the Depression arrived at about the same time. What has come to be regarded as its most significant aspect by cultural historians is that the Gang functions as a kind of color-and-gender-blind utopia: girls, boys, blacks and whites all playing and interacting equally side by side, the premise being that kids are innocent, oblivious to the bigoted attitudes that will set in as they become adults. The humor was generally gentle and universal, and centered around the kids getting into the kind of trouble Dennis the Menace might relate to. But one in which the little ones are not saccharine little dollies – no, those are the ones the Gang tends to get in scraps with. If they are idealized, the inspiration seems to be Tom Sawyer and Huck Finn – a world of back fences and horse barns and lemonade stands. The kids in the gang are poor, unkempt, often barefoot. In the Our Gang comedies, the Roach aesthetic of (relative) realism prevails. Most people don’t know that the franchise was originally created under Charley Chase’s supervision, and the writing stable included such future greats as Frank Capra, Leo McCarey, Frank Tashlin and Walter Lantz, among many others. Their animal companion Pete the Pup was drafted from the competing Buster Brown film series, in which he had played “Tige.” In 1922, Roach had the inspiration to build a whole gang of friends around him, and other kids were recruited for the job: curly haired Mary Kornman, freckle-faced Mickey Daniels, Jack Davis (Harold Lloyd’s brother-in-law), wild-haired Jackie Condon, the grossly corpulent Joe Cobb, and Allen “Farina” Hoskins. That’s him on Lloyd’s shoulders in Number, Please, for example. The kernel of Our Gang began with “Sunshine Sammy” Morrison, an African American child actor who began appearing with Harold Lloyd and Snub Pollard in Hal Roach shorts as a kind of mascot in 1919. Those who primarily know the cast from the series’ latter days may like to know about some of the original gang. Measuring from inception to the present day, Our Gang enjoys the distinction of being the longest lasting series of comedy shorts in the history of American cinema. Most Americans from the Baby Boom Generation through Generation X know these comedy shorts well from their showings on television, though since the ones that were distributed to TV were mainly from the Depression years of the 1930s, they might be surprised to learn the series started in the silent days (1922) and lasted all the way until 1944, 22 years, outlasting the popular Spanky, Alfalfa and Darla. Because I’ve had occasion to mention this franchise many times on this blog and in other writings, and it’s pretty important to film comedy history, I thought it fitting to finally do a special post on the comedy film short series known as “Our Gang” or “The Little Rascals.” ![]()
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Alpha dog movie ending11/25/2022 ![]() ![]() Christine Hamilton, 56, 251 Township Road 1101, was cited for speeding on U.S. Motel, was arrested on a Juvenile Court warrant for failure to appear.ĩ:46 a.m. A wildlife motion camera was reported stolen and a residence broken into on the 2900 block of County Road 917.ĩ:38 a.m. Zach Kocher-Slaughter, 20, 105 College Ave., was issued at speeding citation at Ohio 58 and County Road 801.ĩ:27 a.m. ![]() Thomas, 37, listed address 1423 Cleveland Ave., was arrested at that address on Municipal Court and Harrison County warrants for failure to appear.Ħ:53 a.m. Setting a story in the environment of motocross sports does bring something fresh, and between the bike stunts and the illusion of an amazing mechanized dog, the film is an optical treat.11:57 p.m. But the standout is Alex MacNicoll, whose take on the clichéd rich-kid bully is so natural and unexpected that it's shocking when he pivots into teen tormenter. is believable as Miles' love interest, and Thomas Jane has an ease about him as Miles' supportive dad. That said, the script isn't all that sharp, leaning on standard-issue characters. Pop singer Becky G. Thankfully, the dialogue addresses the doubts that may nag at the audience, such as, "Can you abuse a robot? What does that even mean?" is a charming film that elicits compassion for abused animals. Language is limited to "crap." Note: The movie was originally rated PG-13, then edited to earn a PG rating.Ĭombining action, animals, extreme sports, robots, and special effects, this movie succeeds in delivering an appealing fantasy of a boy and his 21st-century "dog." The robot canine is the world's coolest gadget and an amazing pet, all in one. At first glance, A.X.L. Teens hold Solo cups and cans at a party, but it's never said that they're drinking alcohol. There's a little teen romance that results in a couple of non-steamy kisses. While the story includes themes of compassion and friendship, characters also make iffy decisions and do things like accept stolen money and gas, and there's some stereotyping. Spoiler alert: The ending may also be distressing for sensitive viewers. There's also mean behavior, dangerous stunts, and weapons use (flamethrower, guns, crossbow). is incapacitated in upsetting ways like electrocution and fire. Violence is the main issue: A.X.L. attacks several times, characters are frequently in peril/distressed, and A.X.L. Here, though, the risk isn't for a living being, but a battle-ready robot that's designed to kill. is a sci-fi adventure about a teenager named Miles ( Alex Neustaedter) and his advanced technology robot "war dog." The story is similar to E.T.in that a misunderstood creature is being used/abused for research purposes until an empathetic stranger risks everything to save it. ![]()
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Managing oneself audiobook free11/25/2022 ![]() ![]() ![]() This article challenges readers to take responsibility for managing their futures, both in and out of the office. They develop when people are prepared for opportunities because they have asked themselves those questions and have rigorously assessed their unique characteristics. Today’s successful careers are not planned out in advance. If you do that, you can transform yourself from an ordinary worker into an outstanding performer. Instead, concentrate on improving the skills you have and accepting assignments that are tailored to your individual way of working. He challenges each of us to ask ourselves: What are my strengths? How do I perform? What are my values? Where do I belong? What should my contribution be? Don’t try to change yourself, Drucker cautions. Audiobook 0.00 Free with your Audible trial Hardcover 30.31 6 New from 30.31 Paperback 14.87 21 New from 14. But you also need to think about your career and professional growth-actively. How do you make time to manage yourself You need to focus on your work-succeeding in the job you have now. ![]() But too often busy managers neglect to apply their planning, management, and execution skills to themselves. But, Drucker says, very few people actually know-let alone take advantage of-their fundamental strengths. You're adept at managing your job-working toward the goals of your team, your unit, and your company. It may seem obvious that people achieve results by doing what they are good at and by working in ways that fit their abilities. And we have to stay mentally alert and engaged during a 50-year working life, which means knowing how and when to change the work we do. We have to place ourselves where we can make the greatest contribution to our organizations and communities. What does that mean? As Peter Drucker tells us in this seminal article first published in 1999, it means we have to learn to develop ourselves. Today we must all learn to manage ourselves. Throughout history, people had little need to manage their careers-they were born into their stations in life or, in the recent past, they relied on their companies to chart their career paths. ![]()
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Coding comparison query nvivo 1011/20/2022 ![]() Redesigned NVivo 12 for Windows navigation With NVivo 12 it’s easy to exchange data with SPSS.Įasily visualize and understand cross tabulated data, and create a snapshot that can guide writing up findings. View coding distribution across a population by cross tabulating theme nodes against cases, like people or places, and attributes like age or occupation, so you can quickly quantify coding data for comparison. ![]() You can then make amendments, notes and tag speakers using a specialized editor and directly import transcribed files into NVivo 12.Įnhanced support for mixed methods analysis With good quality audio, you can expect up to 90% accuracy and a file transcribed in a timespan of half the length of the audio. Now you can simply upload your audio file from NVivo 12 and let NVivo Transcription do the rest. You need JavaScript enabled to view it.Ħ0% of NVivo users are doing their own transcription, taking vital time away from data analysis and core research. ![]() From free online resources, onsite workshops and virtual coaching, you can learn more by contacting the team at: This email address is being protected from spambots. Take a learning journey to enhance your NVivo knowledge – whether it’s for individuals, teams, or organizations. To further your analysis, NVivo supports mobility and collaboration through cloud-based subscriptions and modules, offering flexibility and options to fit your needs. Sophisticated User Management With Collaboration ServerĬollaboration Server (formerly NVivo for Teams) features streamlined navigation in the administration portal, allowing you to securely and effortlessly manage team’s roles and permissions.Įnhance your research by adding on features, modules and learning journeys, as and when you need them. Your master project is saved in the cloud, so you can access it from anywhere.
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Room in rome full movie watch online11/19/2022 ![]() ![]() ![]() Natasha Yarovenko is not as good, but still believable as the mysterious athletic sincere and strong hetero Russian beauty, shocked by her own attraction towards Alba. She believes her role, and gives all what she has, showing a great acting registry from comedy to tragedy, from sweetness to cockiness. The two main actress are great in their role, especially Elena Anaya as the honest and emotionally fragile Spaniard lesbian Alba. The bed scenes are very erotic, definitely hot, still tastefully filmed. Medem also shows a wonderful direction of the actors, which is reduced to the two leading actresses and four very secondary roles. The story, despite happening in the room, goes well beyond the room through the conversations of the characters and their use of the Internet to show pieces of their present and identities. The movie could have been claustrophobic and theatrical, but it is instead fresh and cinematic. This movie reminded me of Medem's Chaotic Anna, in the way he incorporates art into life, and gives art a meaning that is never decorative or purely aesthetic. This is very Medem, who always uses the surroundings as part of the story not as a mere decorative item. There is something magic about the way Medem has used the paintings in the room as well s the decoration of the ceilings, the three spaces of the room (dormitory, bathroom and balcony) and the decorative elements in it, not only to offer different facets of the personality of the characters, or show different phases in their relationship, but to incorporate those little visual elements into the story, like the little angels on the ceiling, the Venus on the bedside table, etc. This is necessary as otherwise the movie would have felt oppressive and theatrical not a real and cinematic. The spacial perspective is, therefore, very different. Medem positions and moves the camera so the viewer feels is in the room, not watching the room. The room, which is the main set in which the movie happens, is not overwhelmingly present or a close asphyxiating place, but a very open fluid ethereal container where the story happens. The use of the lighting and framing of the images are precious, elegant, warm and welcoming, very artistically composed with a great use of chiaroscuro and decoration. Julio's Medem's well known mastery and filming sensibility are seen everywhere in this movie. However, the setting and dialogs have been reworked and reinvented by Medem, as the story happens in Rome and the couple has the same sex. The story is inspired in the Chilean movie En la Cama, which at its turn was inspired by the American film Before the Sunrise. It would be a night of intense discovery, a tour de force between two ways of seeing life, love and sex. ![]() Room in Rome is the story of a short-lived physical and emotional liaison between two women in a hotel room in the last night of summer. ![]()
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